yazik.info Programming Metro 2033 Book Digital


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Compre o livro Metro na yazik.info: confira as ofertas para livros Compre e comece a ler a amostra digital deste livro enquanto espera ele chegar. .. The book itself is good (the story) but the Kindle edition specifically is terrible. 6 days ago Refresh your knowledge of the Metro series in the run up to Exodus' DLC this summer with the original book series. Metro: Last Light for PC Includes Metro Digital Novel Free April 26, – LARKSPUR, Calif. -- Deep Silver today announced that.

Metro 2033 Book Digital

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Metro Exodus continues the storyline as told in the games Metro and Metro: Last Light, and interweaves with the wider Metro saga contained in Dmitry's. Metro book. Read reviews from the world's largest community for readers. The year is The world has been reduced to rubble. Humanity is n.. . Editorial Reviews. About the Author. Dmitry A. Glukhovsky is a Russian author and journalist Author interviews, book reviews, editors' picks, and more. Publication Date: August 10, ; Sold by: site Digital Services LLC; Language.

It was very ideal-and-idealism oriented. Maybe it was just the utter feel of being disillusioned by all the lies that we humans keep telling ourselves, and maybe it was that old Russian pragmatism at work, but I thought this was both the novel's main strength and main weakness. Maybe I wasn't in the mood for it. And maybe I've already had my fill of such classic translated Russian novels. Either way, I appreciated this novel while not entirely getting into it.

That's not to say it wasn't full of great parts. It refers to and pays homage to Roadside Picnic , Stalkers and all.

The ending made up for almost all the slow parts that felt like kind-of a slog. All told, I'd recommend this for fans of extremely well-developed post-apocalypse literature with a huge serving of what classic Russian literature is known for: View all 8 comments. Welcome to the post apocalyptic world of Metro This novel conveys a claustrophobic atmosphere rarely felt. Everything in this underworld has a dreamy nightmarish quality about it.

Well, the apocalypse has come and gone. Somebody pushed the button, and only the Welcome to the post apocalyptic world of Metro Somebody pushed the button, and only the few who made it to the underground metro survived.

Pockets of civilisation have formed at different stations, each with their own politics, religions and mythologies. But there are things in the darkness, and there are things in the outside world that want in… Metro is a good idea, and a fine example of Sci-Fi Horror. When it succeeds, it succeeds well.

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Unfortunately the reverse is also true: The plot skips around so much and takes off on random tangents so often that the whole thing at times feels like an exercise in frustration. Characters sometimes behave totally inexplicably.

This seems to be at least partly attributable to translation issues but perhaps not limited to. Pros Now the good news.

The story is filled with legends, half-truths and mythology, which will keep you on your toes. The mythical qualities reminded me of the The Gunslinger. Metro also has its fair share of genuinely spooky moments. And yes, it is actually pretty cool at times. You should at least give this a try. View all 11 comments. Aug 04, Kenchiin rated it it was amazing. Are you tired of stupid Young Adult books with stupid protagonists who are worried about who they should kiss rather than how to survive?

Then this is for you. Real survival, real struggle, and a very elaborated setting take Metro to new levels of "things went wrong here". This book won't try to babysit you, so don't expect an easy read. View 1 comment. After reading Dmitry Glukhovsky's Metro , I felt compelled to offer a review.

Frankly it is the best post-apocalyptic sci-fi I have ever read. While some things may get lost in translation, and it has a lot of typos, for me it did not detract from Artyom's epic struggle to reach Polis from the subway station of VDNKh and deliver the message that the dark ones are invading the station and the future of the entire metro population is at risk.

Set in the year , it depicts mankind's struggle After reading Dmitry Glukhovsky's Metro , I felt compelled to offer a review. Set in the year , it depicts mankind's struggle to survive in a Moscow subway system after nuclear bombs have destroyed the surface and contaminated the air, resulting in the birth of a multitude of mutant monsters, creating a life of constant fear and terror for the metro human pupulation.

There is a new species, more adapted to the radiation filled atmosphere, intent on replacing mankind. The story operates on a number of different levels, is tightly plotted, very descriptive and real.

Lead protagonist Artyom is very believable as he analyzes the politics at work during his journey to try and save the future of mankind. Glukhovsky criticizes Communism, institutionalized religion, cult worship, man's inabilty to get along with his neighbours, the futility of capitalism and the hopelessness of war I'm sure I'm missing a few.

Inside the small states organized at different metro stations, the different control groups become a microcosm of our society, almost an allegory of how, as George Orwell put it, "absolute power corrupts absolutely. This is a well-written, poignant and riveting work destined to become a timeless piece of literature that will be studied, admired and critiqued for many years to come. View all 5 comments. The premise of Metro is excellent, and the ultimate conclusion of the story the last 10 pages , though treading on an overused SF trope, could have added an excellent undercurrent to the plot.

Yet, in-between the opening and the ending, there is over pages of, well, nothing. After introducing the setting, the main character, Artyom, is sent on a quest by someone he just met, for reasons which are not elaborated upon, to the ultimate purpose of doing That's a great way to s The premise of Metro is excellent, and the ultimate conclusion of the story the last 10 pages , though treading on an overused SF trope, could have added an excellent undercurrent to the plot.

That's a great way to start a journey, isn't it? For the rest of the book, Artyom simply wanders around the metro system tunnels and stations, trying to get to his goal. Every now and then, he goes on rambling, nearly incoherent philosophical rants about the nature of humanity--presented with incredibly juvenile thinking, as though it were written by a moody high-schooler. He meets people, then they leave after a few pages. And there doesn't seem to be any overall plot that ties it together, other than his loosely defined "quest.

He rambles on for ages about Artyom's travels through the metro, yet the motivation for his doing so seems sketchy, at best, until the last 10 pages.

Characters are barely developed, and are then tossed aside, as soon as they have any personality. Locations have only minimal descriptions, likely assuming that you're already familiar with what the Russian subway system looks like--I shouldn't have to look things up on Google Images to understand what an author is talking about.

None of it manages to come together and form a cohesive world. It's a large jumble of fragmented good ideas; and it seems the author had to include every single one of his good ideas, without thinking about whether or not they were appropriate or useful to the narrative.

I also have a tough time downloading into the idea of everything on the surface mutating into super monsters within a single generation after nuclear war. At least give us a believable timeline. I could have probably given this 2-stars, expect for the fact that all of the good ideas the book presents are utterly wasted.

I've mentioned a few times how it quickly wraps up in about 10 pages, and that's the problem: You can't have a compelling conclusion when there is no build up to it.

Simply stating, "This is what it was all about," is the worst kind of lazy writing. I was appalled at how wasteful this book was of its ideas, characters, setting and, most importantly, my time. All this is without even mentioning the massive amount of typos, grammatical errors, wrong names, and general sloppiness of the English translation.

Perhaps I should have played the video game version, instead. At least then I would have been able to kill things, which is what I wanted to do upon finishing this novel. I am unfortunately forced to put this book on hold. I'm not quite sure why. There was a point where I just lost interest entirely. It's not bad, far from it.

The opening chapters were very interesting, and made the promise of a fascinating postapocalyptic setting in the Moscow metro. However, I just lost the thread at some point. I started reading other books on the side, and eventually I was no longer interested in picking this one back up. I tried a few times, but could never find the desire to I am unfortunately forced to put this book on hold.

Metro Book Series

I tried a few times, but could never find the desire to read more in it. Maybe another time. View all 6 comments. May 21, Mb rated it liked it. Daher hat es mich sehr interessiert, diesen postapokalyptischen russischen Roman zu lesen, um zu sehen, ob sich dieser von westlichen Dystopien unterscheidet.

Ja, eindeutig, Metro ist wirklich anders. Also stellte ich mich auf eine ordentlich Portion Horror ein. Doch weit gefehlt. Rund zwei Drittel des Buchs begleiten wir nun Artjom auf seiner Wanderung und seinen Begegnungen mit anderen Menschen in den Stationen.

Diese Art der aneinandergereihten Kurzgeschichten merkt man leider der Geschichte an. Der Rhythmus passt einfach nicht. Es fehlt ein ansteigender Spannungsbogen. Wo beziehen sie sauberes Wasser her? Trotzdem, gute Unterhaltung. This is one of the best post-apocalyptic novels I've ever read. It's got a fair amount of action, but it is by no means dominated by it. There is plenty of Eastern European introspection and philosophy here to balance out the monsters and fire-fights.

Lots of suspense too. The story is top-notch and Artyom is a very identifiable protagonist who develops quite a bit throughout the story.

I had to knock off a star for some really really sloppy editing. It seemed like every few pages there was a rep This is one of the best post-apocalyptic novels I've ever read.

It seemed like every few pages there was a repeated word, missing punctuation, etc. I'm not sure why so many blatant errors would appear in a book published by Gollancz. It throws you off and sort of kills the mood, but I love a good dystopia, and Metro delivers a particularly interesting example of the type.

Glukhovsky's vision of the remnants of human society huddling in the damp and eerie darkness of the Moscow metro while surviving on rats and carefully cultivated mushrooms is a fascinating scenario Although I kept wondering how we would fare here in Melbourne where our subway consists of only four stations- we don't have much space for a post-apocalyptic microcosm of society down there!

After the su I love a good dystopia, and Metro delivers a particularly interesting example of the type. After the surface has been rendered uninhabitable the last of humanity has taken shelter in Moscow's vast metro system. Typically, humanity has split into rival clans and political groups and an uneasy tension reigns between them as the balance of resources teeters towards the extinction of our race. While the rival groups compete strange things are happening in the darkest, most distant tunnels.

Odd creatures have been seen. People are disappearing. Amongst the fear and growing chaos a young man, Artyom, begins a journey to the center of the metro network, to warn the people there of the dangers that are coming.

I love this setup. Yet while there's a lot going for the story in Metro it feels a tad episodic- the hero bounces from group to group in the new underground society in a way that feels more like a guided tour for the reader See the crazy socialists! Visit the fearsome fascists!

Marvel at the mad religious cults! The end also comes up very rapidly, almost as though the author was rushing to draw the narrative to a big finish. As a result, the finale feels a little undercooked.

I also got the feeling sometimes that the text may have lost some of its grace in translation, leading to some clunky bits that I'm sure flowed better in the original Russian. Overall though this book is an enjoyable read, and the long, dark tunnels of the Moscow metro have stayed with me. Whenever my train passes through the Melbourne Metro I now find myself casting around for a patch of ground that would make a good mushroom farm.

Ideja je sjajna: Stanice su sada nalik na polise: Niti sam bio na strani ljudi iz metroa, niti na strani "crnih". People, you say? No, my friend, they are beasts. They are a pack of jackals. They were preparing to tear us apart.

And they would have. But they forgot one thing. They are jackals but I am a wolf. Most people who come to Metro probably do so after playing the excellent video game adaptation you can see the trailer here. The game is an immersive first person shooter with great atmosphere, and has received very favorable reviews. I completed it once, and would like to do so again one day.

The game's success brought much interest in the source material - Dmitry Glukhovsky's eponymous novel. Glukhovsky started writing the book when he was just 18 years old, and first published it on the internet for free in complete Russian text is still available on his personal website. Although a print version was eventually published in Russia in , the novel was translated into foreign languages only in , to coincide with the game's release date.

It has since spawned a sequel and started a book franchise, allowing other writers to experiment in its universe. It's an interesting spin on an old premise. The novel is set in Moscow, and the year is - two decades after a nuclear war, when civilization like we know it has literally disappeared from the face of the planet. To escape radiation and nuclear winter most of the surviving population was forced to flee underground and settle in the city's vast metro system, which became the world's largest nuclear bunker.

Soon, a new order was established within the metro - with each station becoming an independent state, with its own security and border controls. Stations formed alliances and confederations with one another, and broke them through war.

People organized themselves into fractions, with two biggest ones - the communist Red Line and the fascist Fourth Reich - engaging in a full and permanent war with one another over the metro and its resources.

Not all stations are inhabited - some have been abandoned because of floods and fires, or cut off from other stations because connecting tunnels have collapsed.

Some stations have been lost to the Dark Ones - mythical, paranormal creatures who are said to have come from the ravaged surface. People of the metro have never seen natural light - even Stalkers, who venture to the surface to explore the ruined city for supplies, do so only at night. Although some stations breed pigs and other animals, people mostly eat mushrooms as they do not require natural light to flourish.

Stations are on constant alert, as they come under constant attack from either of the two major fractions, ordinary bandits or mutated creatures - and on one of such stations, VDNKh, lives our protagonist, Artyom. Artyom is 21, and was born before the nuclear holocaust destroyed the planet - but has spent his entire life at the VDNKh, where he eventually joined the security guard.

One day at the closing of his shift the border outpost is approached by a strange man named Hunter, who is bent on fighting and destroying the Dark Ones; he makes Artyom promise that if he does not return, he'll travel to Polis, a far-away station, and seek its assistance in his name. Can you guess what happens? Where Glukhovsky really succeeds is the building of the metro's lore - the atmosphere of the decaying, ruined network of tunnels and railways, where people live in constant half-shadows and where a tent is the most one can hope for privacy.

The fact that the population is not only literally cut off from the world, but often also from other human settlements created significant social degradation through delearning: On his journey to Polis Artyom will encounter many characters, each of which will give him a tour of a different philosophy - from simple and ordinary thugs, through revolutionary communists and cruel fascists, to spiritual mystics and religious extremists.

Every encounter will have an influence on Artyom, and shape his character throughout his journey. Unlike the game, however, Metro is a lot less action oriented and linear. The novel focuses much more on Artyom's internal existential dilemma whereas the game focuses mostly on simple survival in hostile conditions; there are plenty of action sequences but they are a background to the narrative, and not the focus.

This is a very sprawling and expansive book which covers a lot of ground, but might leave the reader desiring that it had done so on a bit clearer path. But this would be against its nature, which is like the metro - branching out in many directions, and to see all that it has to offer you have to take every line. The novel is offered in translation, which might sometimes make the prose sound stilted and unnatural to readers unaccustomed to the natural rhythm and melody of the Russian language.

Still, it's a ride worth taking and I believe it will satisfy most readers looking for interesting - and mature!

Metro book digital

Very dark and atmospheric book, and a good game to boot - I can't wait to read the sequel. It's now or never! View all 14 comments. I will begin with a bit of background for you, since the blurb on this book is pretty useless in explaining what this book is about. In , there was a massive nuclear war.

So the world has gone to hell in a handcart. Everything was blasted with nuclear weapons and biological weapons. This caused evil radiation to spread all over and kill the people and http: This caused evil radiation to spread all over and kill the people and everything else. We are in Moscow, Russia. The people there were pretty clever and ran for the underground Metro Stations to get away from all the crap happening on the surface. And this is where we are, twenty years later, , in the Moscow Underground.

Artyom, a twenty year old young man, is our protagonist and we follow him via 3rd person throughout the novel. I am slightly confused here because Artyom has some memories of living on the surface with his mother, but he is 20, meaning the nuclear war destroyed Moscow when he was born. I suppose it made it more interesting to have him remember some vague memories than stick to simple number counting. When Artyom and his Mother did move into the Metro, they chose a bad station to stay at. Because when he was 7, a mob of carnivorous rats invaded the station killing everyone!

Accept for Artyom and a few military soldiers. Artyom was rescued by one of these soldiers, Sukhoi, who took him as his adopted son. The story begins with our 20 year old Artyom who is doing watch duty in the northern tunnel. All stations have watch guards, because there are apparently mutants in the tunnels or sometimes monsters from the surface get in. He is talking to his partners about this new threat that the station is facing, The Dark Ones. They are humanoid, but all black.

These bad ass creatures just approach the station carrying no weapons; they just march forward until they are blasted apart by gunfire. Oh and they give off a feeling of horror Not really, especially because you never experience Artyom fighting them, it is simply a watered down memory that he reflects on. Artyom does a ton of this, reflecting that is.

Often we could have experienced something really cool with him, but instead the event happens, then we just have Artyom thinking back on it. This was frustrating! He has come to investigate this threat of the Dark Ones.

Hunter sees that Artyom is a bit of a lost soul and takes advantage of that. If he does not return soon, then Artyom is to take a message to a friend in Polis and warn him of the threat. Polis is a long, long way away. From what I could understand it was about in the middle of the Metro and it is like the Utopia of the Metro.

He tells no one and simply disappears. I was like, oh, okay not a bad beginning I can get behind this. Go Artyom, you go fight those monsters in the tunnels and get to Polis before it is all too late!

But then I was put through torture, pure agonising torture! Artyom goes from station to station on his journey to Polis. His trips through the dark tunnels were normally quick with no monsters!!! No bloody monsters! Yes, there was psychological fear and some unexplained deaths and stuff, but I repeat no monsters!

My husband is having a ton of fun fighting mutants in the video game version of the book, and me? Well, I get bogged down at each station where Artyom meets people who always help him a bit on his journey. Each station has developed into its own little nation with its own ideology and way of living.

Some stations are Communist, some have free rule, some are Fascist bastards who have developed a fourth Reich and hunt down Caucasians, some have cast systems, some are religious sects, etc. Some stations are wealthy, like the Hansae controlled federation stations. But, some are really poor and are more like stations for beggars and dodgy trade.

The station names also confused me, they all sounded the same. I am sure that if you are Russian or if you have visited Moscow, then it must be really interesting to see what happens to the metro stations you know. It gets extremely tiring after a while, just sitting at these stations listening to various theories on what controls the Metro and people and things in general. Where was the action I was promised! I did get a bit of it The surface is a mess with real monsters, but then he just goes back into the metro and it is the same old same old again.

For my full review which includes quite a bit of additional info please click: Radnje se odvija, kako i naslov sugerira, u I definitivno je lijep detalj da uz knjigu dolazi Metro bookmarker , koji je postao moj vjerni pratitelj u svim literarnim avanturama posljednjih godina. Mai multe, pe FanSF: Nov 23, Elizabeth Sagan added it.

DNF-ed after pages, so I'm not going to give it a rating. Adding the Dostoyevsky-ish style Which is a shame, cause I'm a fan of post apocalyptic, dystopian books.

I loved the plot even though I would have liked to know more about what happened , but the writing style is just bleah. My favourite parts where those where they talked about the outside world. Install Steam. Last Light. Global Achievements. Nucloid View Profile View Posts. Yea I've already got the other free items when preordering. Read the store page instructions for the comic book. So wheres my free copy of Metro ?

It was promised to be included with the steam version of the game. Last edited by Nucloid ; 13 May, Showing 1 - 15 of 42 comments. I'm hoping they fix pre-order issues soon, but it looks like the bonuses aren't available right now. Dreadmoth View Profile View Posts. For me, it's located at: Originally posted by Dreadmoth:. Spynosaurs View Profile View Posts.

Missing mine too Last edited by Spynosaurs ; 13 May, Originally posted by MoonUnit:. Go to this link https: Thats how i was able to get it.

Hope that helps.Ne [Dmitry Glukhovsky, Si Degas] on chasalobo. On his journey to Polis Artyom will encounter many characters, each of which will give him a tour of a different philosophy - from simple and ordinary thugs, through revolutionary communists and cruel fascists, to spiritual mystics and religious extremists.

There is one brief sortie to the surface that becomes an adrenalyn-packed nightmare. People are disappearing.

Other books in the series. This book is about a journey