VISUAL EXPLANATIONS IMAGES AND QUANTITIES EVIDENCE AND NARRATIVE PDF
Request PDF on ResearchGate | Visual Explanations: Images and Quantities, Evidence and Narrative | As an extension of his observations described in his. Visual Explanations is about pictures of verbs, the representation of mechanism and motion, of process and dynamics, of causes and effects, of explanation and narrative. How are such quantities represented in visual expressions of ideas, .. between variables—thus displaying the essential evidence necessary. VISUAL EXPLANATIONS. IMAGES AND QUANTITIES, EVIDENCE AND NARRATIVE . visual statement, with a great deal ofcreative effort going into styling.
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Visual Explanations - Images and Quantities, Evidence and Narrative, Edward and intriguing books on what he calls information graphics—The Visual Display. Visual Explanations: Images and Quantities, Evidence and Narrative is about pictures of verbs, the representation Файл формата pdf; размером ,56 МБ . Visual Explanations: Images and Quantities, Evidence and Narrative. Edward R. Tufte. Cheshire, CT: Graphics Press, pages. Reviewed by John M.
I missed his book EnvisioninSInformntioiz ,but want to read it as soon as I can. The present volume is beautifully produced.
Tufte Edward R. Visual Explanations: Images and Quantities, Evidence and Narrative
Several examples, both old and current, are displayed, first as originals and then after improvement by Tufte and his associates. The results are entirely convincing. The author dives into the data around the Broad Street pump the source of infected water in the epidemic and shows how various displays will more or less support the proper interpretation of the mode of transmission of cholera.
On the other hand, the change in incidence of disease after the climactic removal of tlie pump-handle has been overly interpreted by other commentators in terms of cause ancl effect. Tufte succinctly and intelligently takes the reader through the logical possibilities and coincidences, without denying that the correct and constructive conclusion was reached by Snow. The latter incident was attributed to the failure of two 0rings at low temperature, and the good professor shows us how the now-obvious indicatioiis of potential problems were hidden under unproductive data summations.
The serious need for good visual and statistical thinking could hardly be exemplified more forcibly.
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No institutional affiliation. If it fails of this clearness, it is said to be obscure. The famous Bauhaus institute in Weimar was set up to clean the Augean stables of pre-war ornamentalism.
Sans serif typefaces, including Helvetica and Arial, were championed by the modernists because of their clear, unfussy lines. For Wittgenstein, the cause of our lack of understanding was grammar itself; and the latter part of his career was an ambitious attempt to correct its parallax effects.
The Vienna Circle, with which he was tangentially involved, was on the whole less glum: one of its members Otto Neurath — , had the distinction of being the Secretary of the Austrian Association for Housing and Allotments as well as the driving force behind Isotype — a symbolic way of representing quantitative information using easily comprehensible icons.
Neurath died as an exile in Oxford, but not before founding the Isotype Institute, which carries on his work. The following year, he was asked to prepare a statistics course for a party of visiting journalists.
Presenting Data and Information
The materials he designed for this course, with the participation of the celebrated statistician John Tukey, became the drafts of his first book The Visual Display of Quantitative Information. Unable to find a publisher willing or even able to produce the book to his specifications, Tufte took the bold step of mortgaging his house and becoming a self-publisher: the book as physical object had to reflect the intellectual principles governing its conception.
Thus the Graphics Press got started, only one author on the list. With the success of his following titles, Envisioning Information, 5 Visual Explanations, 6 and Beautiful Evidence, 7 Tufte has become that unlikely thing: a star of the information age. At his own count, almost 2 million copies of his books are in print, making Tufte one of the most successful self-publishers ever.
In recent years, he had even been called up by policymakers to get a grip on the deluge of data flowing out of government departments as they attempt to set up websites providing graphic testimony of their activities.
He is quoted by engineers, financial analysts, software constructors, and design students alike.
It was prepared in by the French engineer Charles Joseph Minard. Of the original troops, only reached Moscow in September, which the Russians had deserted and stripped of supplies.Not only that, he was boosting sight as a metonym for thinking itself. A cool and timeless elegance. Video snapshots show redesigns of a supercomputer animation of a thunderstorm.
Tufte succinctly and intelligently takes the reader through the logical possibilities and coincidences, without denying that the correct and constructive conclusion was reached by Snow. If you are in doubt, try submitting your own simple graphs to thejournal with explicit labels on the curves, and be prepared for the editorial staff to amalgamate the items into confounding sets and to abstract the curve identifiers into the deadly legends.
The present volume is beautifully produced. I missed his book EnvisioninSInformntioiz ,but want to read it as soon as I can.
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If the thinking task is to understand causality then the design task is — as Wittgenstein might have said — to show causality. The following year, he was asked to prepare a statistics course for a party of visiting journalists. Sans serif typefaces, including Helvetica and Arial, were championed by the modernists because of their clear, unfussy lines.
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